About
DUSKOsound builds the entire audio identity of a project: sound design, original music, foley, and final mix for films, video games, and animation. One author, one coherent sound.
Adaptive score that moves with the player.
You want a soundtrack that reacts, that swells when the boss turns, and goes quiet when the world holds its breath. I write adaptive, interactive music that lives inside the game instead of sitting on top of it, and I implement it so it plays the way you imagined.
Sci-fi, fantasy, horror, the worlds games are built from.
Game music is not a linear track, it is a system. I write adaptive, interactive scores in stems that shift with the player’s state, tension that rises and falls with what is happening on screen.
I handle the in-engine implementation too. On Fallen the audio is built in MetaSounds, so the music and sound design run live in the game rather than sitting in a folder. You get a working system, not just files.
From a game’s sonic identity to the last SFX, I can own the whole audio layer. Some game work is below.
What The Funge, Game Audio
Fallen, Score & MetaSounds
Nullvector, Sound Design & Mix
Metroidvania, Foley & AmbienceThe sound of a whole world, built to last: your studio ident, the game’s audio logo, the theme that returns, and the stingers and UI signatures that make it unmistakably yours. One coherent sonic DNA, with guidelines you own.
DUSKOsound builds the entire audio identity of a project: sound design, original music, foley, and final mix for films, video games, and animation. One author, one coherent sound.