Black Harvest

Foley, sound design and mix for Giulio Fulchignoni’s cosmic horror short.

The Music and Sound of Black Harvest. Giulio made this one about the audio build.
DUSKOsound · Vancouver, BC

Foley & Field Recording

Custom sound, performed and recorded from scratch for sci-fi, fantasy, and horror. Real props, real rooms, real signal chains, then shaped into a world.

Foley in the room

Real performances, real objects. Recorded first, not pulled first.

Mouth, breathing, a Zippo and fire, recorded for a comic book cover.
Dark Mage teleport, Fallen
Astra parry, Fallen
Main boss whip, Fallen
Finger of God, Fallen

The Rig

Most of my sound is captured, not pulled from a library. The kit leans on specialist field-recording tools that hear what a normal mic can’t, ultrasonics, electromagnetic fields, vibration through solid objects, then a clean dialogue chain on top.

Ambiences & Ultrasonics

  • LOM Uši (binaural / high-frequency capture)

Electromagnetic (EMF)

  • LOM Priezor
  • LOM Elektrosluch

Contact & Hydrophone

  • Organic Audio Cjossul
  • LOM Geofón (contact / vibration)

Dialogue & Tandem

  • AKG P220 (large-diaphragm condenser)
  • Rode NTG2 (shotgun)
  • run in tandem with the LOMs

Restoration

  • iZotope RX 9 (cleanup & repair)

Foley in Motion

Breakdowns and behind-the-scenes from recent projects.

Behind the Sound

Process breakdowns and build diaries, from Black Harvest foley to Fallen creature combat and in-engine implementation.

See all Fallen sound design →

Calder Moore’s In Search of Substance

Custom foley, sound design, and full audio direction for the In Search of Substance universe. Art and worldbuilding by Calder Moore, sound recorded and designed by DUSKOsound.

Searchers Book Covers · Art by Calder Moore
Music for the Factions
The Searchers · Character & Console Previews

See the full project →

Other Credits

Additional work outside the core sci-fi / fantasy / horror focus.

Want a sound like this for your world? Let’s give it a voice nobody else has.

Book A Call

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